Dmitri Danilov
Opisanie goroda | Description of a City Novel. AST. Moscow 2012. 130 pages |
Foreign rights: | Macedonia/ Prozart, Netherlands/ Douane, Serbia/ Agnosta |
Twelve repeated visits to a city not too far from Moscow and with good
rail connections. Your average industrial city with a slight Soviet
patina, very few sightseeing attractions. People go shopping, stay in
hotels, travel by bus, taxi, tram. But this Description of a city has
nothing to do with sightseeing tours with the names, addresses, opening
hours of museums, hotels, restaurants and the like. There is seemingly
nothing special to see, to experience, to notice or to remark on in
this city. It is precisely because Danilov is interested not in what is
special but in the usual that this city became his choice. The city is
walked, researched, described so that it becomes "flesh and blood" in
the end, in the words of Danilov’s narrator. And this at two levels:
the narrator in the midst and the reader faraway from the city that
remains nameless. Both seem to switch roles in a bizarre mimicry. In
the end, as the reader you no longer have the feeling of having
accompanied the narrator on his walks through the city, it instead
feels as though your own stroll through the city has been accompanied
by the first person narrator. This description of a city teaches you to
explore spaces and to rediscover yourself therein.
It could be any city in the world. Danilov’s city, however, has two
levels because it is the home city of the author who accorded it cult
status amongst Russian literature afficianados with the novel “City N."
by Leonid Dobychin. The building where he lived – now disappeared. He
himself – disappeard in March 1936, after his novel “City N." was torn
apart by Stalinist critics. The theme of absence has three constants in
Danilov’s city and book: silence, emptiness and greyness – little
dialogue, few characters and the lack of action. And the more absence,
the more that is missing, the more this city, this book gets under your
skin.
On top of that, Danilov’s ironically enjoyable, at times hilarious and
very down-to-earth attempt to feel at home in a strange place is also a
real treat for those who prefer to explore cities on trams. Football
fans don’t do too badly either.